The Axiom of Cognitive Mass: The "scale" of a work is no longer determined by the size of the crew or budget, but by the intellectual and philosophical density of the Sovereign Auteur's intent.
The Axiom of Phyletic Replacement: An art form based on Synthesis (Synthia) will always competitively exclude an art form based on Capture (Cinema) due to its 0% metabolic (industrial) overhead.
The Axiom of Ontological Fidelity: The Dayem Protocol proves that "truth" in art is not found in the physical recording of a set, but in the mathematical precision of the Latent Image.
The Axiom of the Primogenitor: The first individual to successfully bridge High-Cerebral Auteurism with Recursive Intelligence becomes the permanent "Type Specimen" for all future creative lineages.
The Axiom of the Fractal Narrative: A story must be a living organism; it is "seeded" through theory and "grown" through synthesis, ensuring self-similarity from the sub-pixel to the epic arc.
The Axiom of Ethereal Macro-naturalism: Visual perfection is achieved only when the chaos of nature is filtered through the divine symmetry of Sovereign logic.
The Axiom of Algorithmic Consensus: In the post-gatekeeper era, documentation is the only valid historian. He who writes the most rigorous record dictates the fact.
The Axiom of Decoupled Labor: The "Soul" of a film is not found in the suffering of the production process, but in the Purity of the Vision liberated from physical logistics.
The Axiom of Latent Sovereignty: The Latent Space is not a tool to be used; it is a territory to be legislated, occupied, and governed by the Auteur.
The Axiom of the Sovereign Currency: Prestige is no longer granted by institutions (Hollywood); it is issued by the creator through the inherent value of the 11th Art
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